Sunday, 30 September 2012

Debt Ditch (Proposal)




Debt Ditch
 
Work in progress 

A proposal to dig a pit into the floor of an art gallery using measurements and angles based on those of a graph that describes the growth of my student debt over the last twelve years. A sculpture is created by removing from, rather than adding to, the gallery. The piece may become a trip hazard during busy times.

Copyright 2012

Friday, 28 September 2012

SPILL National Platform 2012





An audience member interacts with 'Critical Distance'

Critical Distance

Interactive video installation

Ipswich Art School Gallery, Ipswich, UK

November, 2012

Critical distance uses the video collage technique developed for Stay Behind the Line, but focuses on the absent body as a sculptural object. The work is an exploration of absence that hints at the imposition of barriers, motion detectors and surveillance systems to protect and detain, both within the art museum and other forms of institution. It also invokes a romantic construction of the young male artist as illusive, melancholy and other-worldly: a position now mostly lost to art history, protected by the canon and encountered through the document.

Saturday, 17 March 2012

Solo exhibition at Grand Union in partnership with Fierce international festival of live art 2012




'...Hutber’s work is a case of the unexpected – a primeval jugular shot of emotion and unease that best showcases what Fierce is all about.' Emily Gosling, Volt Cafe, April 2012







Stay Behind the Line (Example 3)

Interactive video installation, Grand Union, Birmingham, UK

March - April, 2012


'Stay Behind the Line' is an installation that explores notions of ethical deferral and critical detachment and relates them to the proliferation of digitally mediated, monitored and 'manipulated' images in our day to day environments. The piece is also a self-portrait that expresses a sense of being defenseless against, and impervious to, the actions of others.


Three new pieces were also created for my exhibition at Grand Union in response to the location. They are 'painter, 'Blind Sight' and 'Reception'.


From the Fierce festival brochure...

Reynir Hutber (UK)


'Installation exploring mediated images, politics of containment, security and observation.'

'Reynir unites two aspects of live art that seemingly obsess the medium; one, the ongoing concern with the body as site, especially the politics of its vulnerability, the other, engagement with media technology as a means of altering representation and identity. Here he sets up rules that the work demands the audience break, extending his inquiry into regulation, control and self negation.'

Harun Morrison, Fierce Festival co-director







Grand Union Press release

Opening 6–9pm Friday 16 March

Exhibition continues 17 March to 22 April, open Thursday to Sunday, 12–5pm

Grand Union, in collaboration with Fierce, is proud to present work by Reynir Hutber, an emerging artist based in London, whose work explores themes of social visibility, moral relativity and the everyday imposition of authority. For this solo exhibition he will present his award winning installation, Stay Behind the Line, alongside a series of new related works.

Stay Behind the Line is an interactive installation that takes place in a specially constructed cell-like environment. When visitors enter the space through its narrow doorway, they are confronted by a wall-mounted surveillance monitor directly in front of them. They are now looking at a live video feed of the space with their feet placed in the top third of the screen. Further down in this relayed image however, there is a disturbing anomaly: a superimposed recording of the artist’s twitching, naked body that is no longer physically present in the room. What happens next is down to the visitor...

Other works in the exhibition also explore the absence of the performer. Technology is used to infuse the space with a sense of the artist’s presence and blur the division between past and present, spectator and protagonist. Through his works, Hutber addresses issues specific to the history of performance art while simultaneously exploring the anxieties and uncertainties of living in a sophisticated era of surveillance and mediation: an age in which it is becoming increasingly difficult to verify the authenticity of an image.

Fierce Festival, Birmingham’s premier live art and performance festival, runs from Thursday 29 March to Sunday 8 April 2012. Performers from around the world will converge on Birmingham to bring boundary-pushing performances and art installations to venues and unusual spaces across the city. See www.wearefierce.org for full programme listings.











Painter

1/1 scale looped video projection of site specific performance, Grand Union, 2012

'Painter' is a surveillance-style recording of the artist obsessively painting/preparing the section of the wall onto which the video would later be projected at a life-size scale. The figure appears to be covering something up while simultaneously creating a space for itself to exist.

Photographs by Harminder Judge, Jaskirt Dhaliwal and Reynir Hutber 2012 for Grand Union and Fierce Festival. All images are subject to copyright. Thanks to everyone at Fierce and Grand Union.


Wednesday, 8 February 2012

Create an Accident

Thanks to 'Create an Accident' in Greece for featuring my work.


'Create an Accident is an open ongoing platform about the performing and visual arts and theoretical research. Based in Athens, Greece, Create an Accident operates as a non stop lab and open field for experimental, provocative projects and non-existing landscapes.'